Canon RF 28-70mm F2.8 - yup, another standard zoom
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Canon RF 28-70mm F2.8 - yup, another standard zoom

David Lee
12/9/2024
Translation: machine translated

Canon is launching another standard zoom lens onto the market. It is light, fast and inexpensive, but does not offer a particularly wide angle.

The latest lens in the Canon range has a focal length range of 28 to 70 millimetres. A classic standard zoom starts at 24 millimetres. So you sacrifice some wide-angle here. In return, the lens is significantly lighter and cheaper. Compared to the 24-70mm, it weighs only 490 grams instead of 900 grams. This is with the same speed of f/2.8 throughout.

Canon RF 28-70mm f/2.8 IS STM (Canon RF, full size)
Lenses
EUR1299,–

Canon RF 28-70mm f/2.8 IS STM

Canon RF, full size

Canon RF 24-70mm f/2.8L IS USM (Canon RF, full size)
Lenses

Canon RF 24-70mm f/2.8L IS USM

Canon RF, full size

In contrast to the 24-70, the new 28-70mm lens is not an L lens. This is another reason for the lower weight and price. The optics may not quite come close to the 24-70mm. According to Canon, however, this lens is also weather-resistant. It has an image stabiliser that compensates for up to 5.5 stops.

This makes the new 28-70mm an interesting alternative if you are not dependent on the 24mm wide angle. This is the case, for example, if you already have a wide-angle lens such as the 14-35mm oder das 15-35mm hast.

Classification in the standard zoom jungle

This means Canon has no fewer than six standard zoom lenses to choose from. To help you decide which one is right for you, I'll also briefly introduce the other four.

The speed monster

Canon RF 28-70mm f/2L USM (Canon RF, full size)

Canon RF 28-70mm f/2L USM

Canon RF, full size

Canon RF 28-70mm f/2L USM (Canon RF, full size)
Lenses

Canon RF 28-70mm f/2L USM

Canon RF, full size

With a weight of 1430 grams, it is certainly not for everyone, especially as the price is not without its drawbacks and the lens is the only one of those listed here that does not have an image stabiliser. However, it is ideal as a portrait lens.

The overkill

Canon RF 24-105mm f/2.8 L IS USM Z (Canon RF, full size)

Canon RF 24-105mm f/2.8 L IS USM Z

Canon RF, full size

Canon RF 24-105mm f/2.8 L IS USM Z (Canon RF, full size)
Lenses

Canon RF 24-105mm f/2.8 L IS USM Z

Canon RF, full size

Here you get 105 instead of 70 millimetres in the telephoto range. With the same light intensity, this means a little more background blur. Unusually for Canon, there is an aperture ring here - because the lens is aimed at people for whom video is just as important as photography. The weight (1430 g) is rather painful and the price makes it a niche product.

Tele instead of light intensity

Canon RF 24-105mm f/4 L IS USM (Canon RF, full size)

Canon RF 24-105mm f/4 L IS USM

Canon RF, full size

Canon RF 24-105mm f/4 L IS USM (Canon RF, full size)
Lenses

Canon RF 24-105mm f/4 L IS USM

Canon RF, full size

With this lens, you sacrifice a little light intensity in return for more zoom compared to the classic lens. Compared to the fast 24-105mm, it is only half the weight and costs much less.

Macros instead of portraits

Canon RF 24-105mm f/4-7.1 IS STM (Canon RF, full size)
EUR499,–

Canon RF 24-105mm f/4-7.1 IS STM

Canon RF, full size

Canon RF 24-105mm f/4-7.1 IS STM (Canon RF, full size)
Lenses
EUR499,–

Canon RF 24-105mm f/4-7.1 IS STM

Canon RF, full size

This lens has even less light intensity, but is even lighter and cheaper. It is not ideal for portraits. However, you can get closer with this lens than with the others. 34 centimetres close focusing distance in the telephoto range means a magnification of 0.4x - this makes the lens very suitable for object photography and light macro shots.

The RF 24-105mm F4-7.1 can capture an eight-centimetre object full frame. However, the sharpness is not the best.
The RF 24-105mm F4-7.1 can capture an eight-centimetre object full frame. However, the sharpness is not the best.
Source: David Lee
Header image: Canon

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My interest in IT and writing landed me in tech journalism early on (2000). I want to know how we can use technology without being used. Outside of the office, I’m a keen musician who makes up for lacking talent with excessive enthusiasm.


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